A Historic Collection of Armorer’s Tools
The tools of the first Met Armorer, Daniel Tachaux, consist of 644 accessioned objects which were acquired in 1912, around the time the curatorial department of Arms & Armor was created, and represent the largest and most comprehensive collection of historic European armorer’s tools in an institution. My main project was to research, identify, organize, photograph, inventory, and catalogue these specialized tools, about which relatively little is currently known or understood, and very little documentation to be found. During my time as an intern in spring 2023, I created a new, complete inventory of these objects, and created a catalogue of the 99 hammers, containing photos, dimensions, weights, condition notes, research notes, and reference notes for each individual hammer. In addition to these duties, I was given the opportunity to present my research at donor events and participate in a series of video shoots about the Armor lab for Adam Savage’s YouTube channel in collaboration with the Met’s External Affairs department.
In fall 2023, I returned to continue this project, this time focusing on the 86 anvils of this collection, while working on a number of other side projects.
Read my article for the departmental e-newsletter here.
Watch the Adam Savage video here: https://www.youtube.com/watch?v=PGK7rbuGO-0 (following up on a previous video from his first series on the Armor lab: https://www.youtube.com/watch?v=6F643XUqJ-o)
NOTE: Permission to share archival images and snapshots of proprietary departmental documentation (including the documents I created for Arms & Armor as an intern), for the purposes of illustrating my work at the Met in this portfolio, granted by then Arthur Ochs Sulzberger Curator in Charge, Pierre Terjanian.

Met armorers Daniel Tachaux (left) and Jacob Merkert (right), working in the Armor conservation lab, c.1915. (Photo: Metropolitan Museum of Art)

Detail c.1915 of the arrangement of tools in the armor conservation lab. (Photo: Metropolitan Museum of Art)

Snapshot of the single document preserved with concrete, first-hand information on the collection, in Daniel Tachaux's hand. (Photo: Jennifer Kim)
Photographing hammers in the lab with an improvised photo studio. (Photo: Sean Belair)

Snapshot showing a section of the new Excel inventory. (Photo: Jennifer Kim)

Examining a forming hammer. (Photo: Sean Belair)
Tachaux’s tools in the conservation lab, before the start of this research project. (Photo: Sean Belair.)

Tachaux's tools after my reorganization of the collection and cataloguing of the hammers. (Photo: Jennifer Kim)

Unpacking a storage crate from the Met Tunnels with a group of tools that were put away in the 1970s. (Photo: Sean Belair)

Group of tools unpacked from the Tunnel crate, guest featuring my shoes. (Photo: Jennifer Kim)
Presenting findings from my work on Tachaux's hammers at a donor event in the lab. (Photo: John Byck)
Behind the scenes shot of filming the Adam Savage video. (Photo: Kristen Lomasney)